Author Archives: Emma Ahmed

Street Choirs 2015

After the summer break I’ve just been looking at my photos from Whitby and they are very dull indeed. There are no pictures of the sea, of chips or seagulls, or of the other choirs (although I’ve got a tiny wobbly bit of video of Wrexham Community Choir singing Calon Lan, which always makes me cry), not a hint of how lovely this event was.

It is such a thrill being in a town with over 40 other choirs, sharing singing with people from all over the country. On Saturday lunchtime everyone sings together in a huge, giant, 1000-voice choir. On Saturday afternoon there are designated spots around the town and each choir does a 15-minute set in three places. In the evening there were THREE concerts, to fit everyone in. I thought it was an honour for us to be in the headline one, which started at 8pm and finished at 11.30.  This was with each choir having a strict 7-minute slot.  That’s how many choirs there were. We didn’t go on till 10.30. “That’s no good”, one member remarked.  “Half the choir will be asleep and the other half will be drunk.”  I can attest that nobody was asleep; and nobody was noticeably drunk.  The performance was brilliant – responsive, engaging. and musically very satisfying. We performed “When My Ship Comes In” – which got a good response considering it will have been new to many people, and “Caravan of Love” which was a smash hit.

It’s fantastic hearing songs your choir sing, songs you’ve never heard, songs you know but never thought they could sound like this. It’s interesting to see what you notice – good and otherwise – in other people’s performances which can inform how we improve our own.

 

Our survey said …

I’ve spent a very enjoyable couple of days collating all the responses to a survey about the songs we have sung in choir. We got 21 responses, which is also the average attendance at choir rehearsals, so that is very encouraging. It’s brilliant when people care enough to share their opinions with you.

The first question was very open – name your three favourite songs we have sung, and your three least favourite.

There were very clear first and last place songs – “The Sloop John B” and “The Lyke Wake Dirge” respectively. Interestingly, when I announced this result at choir on Monday there groans of dismay from people who had loved “The Lyke Wake Dirge” although none of them had put it in their top three.  “Derbyshire Christmas” came second, and “Blow the Wind Southerly” third.  The second and third on the least-favourite list were “A Place in the Choir” which I’d almost forgotten about, and “Doh, a deer”.

Musically, this is very interesting. The Lyke Wake Dirge has mediaeval harmonies and dissonances but the other two are relentlessly major and straightforward. Some of the comments about LWD mentioned the gloomy lyric and the fact that we sang it with inconsistent accents; and the 11 verses. The other two songs were described as cheesy and childish. Several people gave as their reason for not liking a song, “We never got very good at it,” which chimes with another comment, “Some songs I didn’t like at first but once we could sing them well I really enjoyed them”.

Many choir members said that they liked or loved most of what we sang, and that is what I aim for.  I have always said that when it comes to song choice, our choir is a benign dictatorship. I’ve known choirs with repertoire committees and I think it gets a bit joyless. I have to spend a lot of time with the songs we sing, especially since I arrange many of them, and I need to have the final decision – but I’m always open to ideas.

The second question asked for suggestions for songs for the choir to tackle, which provided a wonderfully eclectic list.  People also volunteered the sort of thing they don’t like, which led to requests for:
More pop songs – or Not pop songs, they don’t work
Bluegrass gospel – or Nothing with God or Jesus if it’s not Christmas
Don’t like songs from musicals – up against America!, Sit Down, You’re Rocking the Boat, and Bugsy Malone (I know this could never happen) plaintively added in brackets.

On the back of the sheet (yes, of course some people forgot to turn it over) was a list of seven songs from last year and this, with a grid – Loved it, OK, Not keen, and Hated It, were the options. The runaway winner here, with 17 Loved Its and 2 OKs, was Hail Smiling Morn. This is a Sheffield carol from Grenoside, which is somehow a Christmas carol which mentions neither God, Jesus nor Christmas. It just celebrates the morning, whose rosy fingers ope the gates of day. It is one of the most complicated songs we’ve learnt, and it took several weeks just to get through all the notes. It’s one that nobody except me knew before we started, and I was nervous about choosing it. Nobody wants to hear your Christmas carol on January 20th, so you have to get it right in time for your Christmas performances.  I think that a bit of complexity does make a song more fun – in the same way that children who dawdle moodily through a nice flat walk beside a river will hurtle over rocks and through muddy puddles.

I also found it telling that a lot of our Christmas repertoire came up as favourites, and I think that’s because we have revisited them.  It is a very effective way of learning, to get to a point where you think you know something, go away for a bit, and then come back and learn it again. Christmas gives us a chance to do this. The songs get better the second year, and so we like singing them more because we know they sound great.

The survey results have given me much food for thought, and I’m sure I will return to one or two of these topics. I don’t want to lose choir members over my repertoire choices, so more than anything I have to promise a variety of songs, moods and music and hope that the singers enjoy themselves enough most of the time to put up with one or two songs they don’t love.

Auld claes and porridge

Ah, New Year and the beginning of the spring term. Sunday evening gloom descends and we face being Back to Normal.  You were fed up of watching TV with a third of the screen blocked by twigs and fairy-light reflections, but now the room looks a bit bare.The hoover is full of pine needles and so are all your carpets.

After all the feasting and company, the extravagance of Christmas, it’s a time of sobriety and belt-tightening – the old clothes and porridge of the title.  This week we realise that just getting to work, buying food and eating and washing up and having clean socks takes most of our time and the practicalities of training for a marathon or writing a novel – all our grandiose resolutions – just seem impossible. It’s very easy then to feel we’ve let ourselves down and nothing is going to change. This is the time when I get my diary out and try to carve out spaces for things that are important to me, to make sure they happen.

So I would say my mood is now preparing to go back to the old routine while trying to be just a bit better at things that matter; trying not to spend more time than I have to on things that don’t matter.

What’s this got to do with choir? It’s one of the things that is very important in my life. I think it’s fair to say the choir finished 2014 on a high. At Christmas we do a lot of performances at venues and events we’ve been going to every year more or less since the choir began, so I found myself thinking back over all the St Paul’s carol services, all the Carfield Festive Fairs. (That one may have changed its name a few times but it’s the same throng.)  The first year that I was in charge we struggled to get through three or four songs in very simple arrangements. Now we can do a set of eight, including a couple of tricky ones.  The sound of the choir has improved without question, and although more people are performing now, that isn’t the only reason. The quality of singing at events like the Zest Christmas Fair with only nine of us was great, confident and together. Individual singers are more confident and rely less on others – or to look at it another way, more people feel like leaders rather than followers.

This change has happened little by little over the years, from people turning up and singing, as often as they could, listening to themselves, other people and the choir as a whole, trusting me to ask only what they could achieve. I’m hugely proud of the choir and I’m looking forward to what we can do together in 2015.

My aims this year for choir are:

The usual one of choosing good songs, a good mixture so that there’s a good chance of everyone liking some of them.  I am aiming to do songs that are not too complicated so that we can spend time getting to know them really well and sing them with expression and belief rather than a vague terror that we’re going to forget them.

I would like more people to hear the choir but I haven’t worked out the details. We will be going to Street Choirs in Whitby in July and we are going to put on a good show – but I want to do something in Sheffield, preferably S8, as well.

i also want to make sure that even if we are a bit more performance-orientated than we were in the old days, that every rehearsal is fun and worth coming to, and that everyone feels welcome even if they are brand new or can’t come every week. I do want the choir to be a place where anyone who wants to can come and sing, and get better at singing the more they do it.

 

Hear us sing!

This is just a very quick update with a list of our Christmas gigs.  We are performing in a variety of settings in Sheffield this year, mostly in our home patch of S8.

We will be performing at:

Carfield Primary School Festive Fair – Saturday 29th November 2pm

Weston Park Museum, Western Bank – Sunday 7th December, 2pm

Church of the Nazarene, Fitzroy Road, Heeley – Sunday 7th December, 6pm

St Paul’s Church, Norton Lees – Sunday 21st December, 6pm

Meersbrook Bowling Club, Shirebrook Road – Monday 22nd December 8.30pm (after singing in the streets from 6.30/7)

Cheese and marmite

MarmiteThis is a funny little half-term for choirs. I know some people come back to rehearsals and Boom! it’s straight into the Coventry Carol and Masters in this Hall. Christmas is such a huge singing festival that it can take over your whole post-summer life – but I don’t really like starting too early.  I try to make sure we have something to work towards in October, then we can dive into Wassailing and rest-you-merry wholeheartedly till the end of the year.

We always sing at our local Apple Day, which takes place in the walled garden of Meersbrook Park . So we enjoy finding one or two apple-based songs to put into the mix there, which we combine with other songs we already know. This year it’s on Sunday 12th October, which is quite late, and we started rehearsals on 1st September, so we’ve got plenty of preparation time. In addition to that, we are going to sing at Scarsdale Grange residential home. Singing in residential homes is not uncommon for volunteer choirs, but what excites me about this gig is that we are sharing the stage with a choir of residents. I’m delighted that they have an activity co-ordinator who is bringing music as a creative, active recreation rather than a purely passive one. They have been meeting for a few months now and have learnt some of the songs from “The King and I”, so we are learning some Rodgers and Hammerstein too, from “The Sound of Music”.

I love musicals and I’m not ashamed who knows it. I know a lot about them and it annoys me when people dismiss them as froth which avoids the serious issues of life.  They deal with some big, difficult subjects (in those two alone, you have culture-clash, polygamy, slavery, dysfunctional parenting, religion and Nazis).  The happy endings are hardly ever cloudless (as a young woman I wept with Liesl realising that the dashing telegraph boy of I am Sixteen was a Nazi).

However, I know that this is a very particular genre of music – some choirs sing nothing else but we are proud of being eclectic. Some people just find it – corny, cheesy, syrupy. Doh, a deer and Edelweiss, combined with Don’t Sit under the Apple Tree,  are brightly major and predictable harmonically, and I felt we needed a little piquancy. This week we started learning “Apple, Apple”, a Hungarian tune written by Matyas Seiber, which is as delicious as marmite after a honey sandwich. It’s full of crunchy harmonies and melodic lines that don’t quite go where you expect. The whole thing is really satisfying and I hope adding it to the programme will make it feel completely balanced and complement the other songs so that each will shine in its different way.

 

Why do we need a committee if we just want to sing?

I’ve just added a page to this site with our choir’s constitution on it. We are preparing for our Annual General Meeting and the committee wanted everyone to have a chance to read through the document that sets out how we work.  We will do printed copies too for people who prefer reading paper or don’t have internet access.

At the committee meeting on Wednesday we started thinking about how to make sure our members know who the committee members are, what they do and why we work this way. In January 2012 we changed from a loose voluntary group with an unpaid leader and a fairly lax attitude to collecting subs to a more organised outfit with elected officers and a constitution. This was primarily so that I could become a paid musical director – until summer 2011 I squeezed in being voluntary MD around a full-time job in school management.

The constitution sets out our core values – about who choir is for, what it stands for, how we try to make it accessible and affordable. It is as simple as we could make it while covering the essential points.

The committee is nine choir members, three of them with specific roles, who discuss and make decisions about the running of choir. I am part of the committee but I don’t have voting rights – they do always ask me what I think and listen to the answers, though.

I like the arrangement because the choir has grown very organically and has always been a friendly bunch, even if many of us only have choir in common. We like talking about things but prefer to spend rehearsals singing.  Having  a committee which meets once a term – and any choir member can come along – gives us a time to discuss organisational matters. I like having a regular forum which takes place even if there are no pressing issues. If something does occur which is potentially divisive or needs sorting out, we have a structure within which to deal with it and so we don’t need to invent something in a panic.

I also like having a supportive group managing the choir. Rehearsals are short and busy and although I try and say hello to everyone I don’t always manage that, never mind listening to their suggestions and points of view. With a committee we hope to listen to nine times as many members and have a real sense of what people are feeling.

I think the committee model also keeps any megalomaniac tendencies of mine in check. It reminds us that no single person is more important than the choir. I may be the leader but I don’t make any noise on my own.  A choir is a living organism made up of the combined energy of many people – and it will change and grow with those individuals. So to me it seems right that they are represented in the decisions that shape the organisation.

 

Shiny new pencil-case

IMG_8603Well, the Bank Holiday is over, it’s back to school next week and our rehearsals start on Monday 1st September.  See you at 6.30pm at Carfield Primary School as usual!

I quite like this time of year, when if you are involved in education it’s the start of a new year and you are getting yourself ready.  New school clothes, shiny new pencil-case, the slight nervousness and the determination that this year, you are going to be better organised, work harder, and do better.  I’m usually back in my old habits of doing too much, not finishing one thing before I start another and never tidying up, by the October half-term. But this week at least, I feel more in control and excited about the new term and returning to projects like choir which have a break over the summer.

Singing out for Summer

The event was an awareness campaign for the Samaritans

Singing in support of the  Samaritans


I’ve just been uploading all the photos and videos from our summer performances and it makes me very happy. Thank you so much to the choir members and particularly friends and family who came and recorded what we were doing.  It’s always interesting to see what we really look and sound like when performing but it’s delightful when we sound not-half bad and look joyful.

Left Half

Left Half

Right Half

Right Half

There are new galleries up on the web page recording a couple of our summer events. On 19th July we sang out in two very different locations – first of all in the glorious bit of architecture that is Sheffield Winter Gardens, and then at the more compact Scarsdale Grange Residential Home. They’d had to squeeze the whole of their summer fair indoors when rain started coming down in sheets, so it was a cosy atmosphere.

The Winter Gardens is somewhere I’ve wanted to sing for a while and our invitation came from the Samaritans, who were doing an awareness-raising day. One of our members volunteers with them and he suggested we could come and sing some of our more uplifting songs (We do like a good dirge or a melancholy plea occasionally.)

We chose uplifting songs

We chose uplifting songs

Folders and banners hit the floor as we embark on "Amani Utupe"

Folders and banners hit the floor as we embark on “Amani Utupe”

Street Choirs 2014

Finally, a welcoming place to eat!

Friday night at The Vine, Hebden Bridge

We all got a singing suntan that afternoon

The Carfield banner processes through the streets

Some of us have shorter legs

Friday evening – a long beautiful walk across the tops from Mankinholes Youth Hostel to Hebden Bridge

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The Mass Sing on Saturday lunchtime

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Singing outside with 1000 other people is amazing!

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Lunch in the park on Saturday

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Back at The Vine with the whole party before our Saturday night concert

Carfield Choir busking outside the TradesClub, Hebden Bridge

Carfield Choir busking outside the TradesClub, Hebden Bridge

What we’ve been up to

Summer 2014
Every summer we sing at the lovely Summer Garden Party in Meersbrook Park Walled Garden.  We have sung here in sunshine, showers and heavy, heavy rain. It’s always a brilliant atmosphere with cake and music.

This year it was on the 1st June 2014. The weather was beautiful and the atmosphere unbeatable – do come along next time. As well as cake there were really good felafels and you could make your own mini-well-dressing in the top garden.

Spring 2014
On April 6th we sang out in our local parks – Meersbrook Park and Heeley Millennium Park. We are so lucky to have beautiful green spaces like this on our doorstep.

On March 22nd we sang to support Liam Garcia on the Long Well Walk. He is walking from Sheffield to Cape Town to raise money for clean water projects in Africa.